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This rubbish has no place on a serious music website. It is exactly the sort of thing that will finally kill off classical music in our time, as I explain at extreme length in my book, Music for a Whine, available in all secondhand bookshops. Dame Norma Lebrecht CT Dictionary- -|--Top 10 Reasons to be a CT--|--Terrible CT Jokes |
Bad joke alert!
|
Empio, diró, tu
sei
! Togliti a gli occhi
miei!
With apologies to Mr
Handel
and thanks to Goscinny and Uderzo, creators of the immortal Asterix
All these terms can be found in standard dictionaries - but not these definitions! .. |
|
Counteract | i)
operatic
performance by a countertenor ii) act of an opera containing the leading countertenor's big aria |
Counterappeal |
if you are
reading this, you don't need a definition. See counterattraction, below |
Counterattack |
to play countertenor CDs very loudly on a Sunday morning and wake up the neighbours |
Counterattraction | phenomenon of being drawn to the countertenor voice |
Counterbalance | skill required of a countertenor required to sing Va Tacito atop a high tower, rising and falling, on stage |
Counterbeam | big smile from a countertenor |
Counterblast | unexpected fortissimo baritone from a countertenor |
Counterbore | irritating subspecies of counterbuff (q.v.) |
Counterbuff | i) music
lover
devoted to or very knowledgeable about countertenors ii) contributor to this website |
Countercast | to give an alto role to a countertenor |
Counterchange | putting on jumpers, anorak, scarves and hat after performance |
Countercharge |
cost of a ticket to a countertenor concert |
Countercharm |
mesmerising effect a countertenor on his audience |
Counterclaim |
countertenor declaring that he should sing a certain role |
Counterclockwise |
correct way
to count down the time before the next countertenor concert |
Countercuff |
where a
countertenor writes the lyrics in case he goes blank in the middle of
the song |
Counterculture | i)
stolid adherence to Baroque male alto repertoire regardless of musical
fashion ii) the customarily excellent manners of the countertenor |
Countercurse |
vile imprecations
muttered by concertgoer on hearing that a countertenor concert has been
cancelled. |
Counterdisengage |
to come back to the mundane banality of earthly existence after listening to the aetherial tones of a countertenor |
Counterembattled | of a countertenor singing an heroic aria from the battlements of a castle |
Counterespionage |
detective work
required
to find a countertenor concerts that are not publicised by his agent or
recording label |
Counterevidence | countertenor CD left in the CD player |
Counterfeit | pedal extremities of a countertenor |
Counterfoil | preventing unappreciative family and friends from administering counterpenalty (q.v.) |
Counterguard | body guard for a countertenor |
Counterinstrument |
lute or
harpsichord. Ocasionally, fortepiano |
Counterintelligence | cerebral gifts in a countertenor |
Counterintuitive | of a male alto who succeeds despite being untrained |
Counterirritant | e.g. telling a countertenor that the conductor prefers female mezzos to countertenors |
Counterletter | fan mail to
a countertenor |
Countermand |
insistence on casting a countertenor. May be followed by disparaging remarks about contraltos in trousers. |
Countermarch |
collective
motion of a party of countertenor admirers on their way to the concert
hall from the pub |
Countermeasure | about 6'4" or
1.96m |
Countermove |
customary action
of a
countertenor, e.g. bending the knees whn emphasising a word or note |
Counteroffensive | promotional tour for a countertenor's latest CD |
Counterpane | spasm in the stomach on hearing
of the cancellation of a countertenor recital. See countersink and counterstricken, below |
Counterpart |
role in an opera sung by a countertenor |
Counterpenalty | having one's countertenor CDs confiscated by unappreciative family or friends |
Counterplea | audience
clapping madly in hope of one more encore from a countertenor |
Counterplot | that which is
well and truly
lost by a counterbuff or counterbore (q.v.) |
Counterpoint | (i) gesture of a
concertgoer on seeing a famous
countertenor (ii) a device of many Baroque composers, all of whom are dead, though no direct connection between these two facts has been established. Still taught in many schools, as a form of punishment |
Counterpoise | dramatic posture adopted by countertenor about to sing an heroic aria |
Counterpoison | substance that a counterbuff's friends and familiy would like to administer to a counterbuff, often prepared in the garden on a wet day |
Counterposition |
see counterview, below |
Counterproductive | of countertenor
in the studio,
recording the new CD |
Counterproposal |
formal
invitation by a promoter to a countertenor |
Counterpunch |
feeling in stomach as countertenor sings Bach |
Counterreformation --- | conversion of an unbeliever to countertenor-enthusiasm |
Counterrevolution | phenomenon in late twentieth-century musical taste |
Counterscuffle | mob of concertgoers trying to get a countertenor's autograph |
Counterseal |
irritating plastic
wrapping that prevents you from listening to your new countertenor CD
for at least half an hour |
Countersense | appreciation of the skill and art of the countertenor |
Countershading | designer stubble
on the face of a countertenor |
Countersign | to autograph, e.g. a CD booklet; of a countertenor |
Countersink | i) feeling
regularly experienced by the spouse of a counterbuff (q.v.) ii) feeling on seeing the notice that the countertenor is unwell and unable to sing that night |
Counterstricken |
feeling on
hearing confirmation that the countertenor is unwell and will not sing |
Countertenor | singing waiter with a high voice |
Countertenorist |
Someone who attempts to usurp the hegemony of conceited male singers. |
Counterterrorism | shock and
amazement in uninitiated
concertgoer on first seeing a 6'4" male singing in a powerful alto
voice. |
Counterthreat |
e.g Umiliata ti vedrò
(Tolomeo in Giulio Cesare,
Act III) |
Counterthrust |
countertenor's
gesture accompanying e.g. I will
give you a full flowing ball (Henry
Martin) |
Countertop | baseball cap |
Countertripping | unchoreographed
dance by a countertenor encountering a prop in the wrong place on stage |
Countervalue | i) encores ii) group booking for concert |
Counterview | best seats
at a countertenor concert, i.e. within sock distance |
Kitchen counter |
countertenor who can cook |
Over the
counter |
legally purchased CDs |
Rev counter
|
number of clergy at a
countertenor concert |
Speed counter |
countertenor singing
rapid coloratura |
Under the counter |
mysterious CDs received through the post |
Definitions from other saddos with imagination and big dictionaries very welcome. (Strict editorial control exercised here!) Mail us!
The secret life of countertenors? (Argh - Ed.)
Top Ten Reasons for Being a Countertenor
1 -- You get really good at singing E-flat.
2 -- You get to sing the same note for 12 consecutive measures.
3 --You don't really need to warm up to sing 12 consecutive bars of E-flat.
4 -- If the choir sounds really awful, it's unlikely the countertenors will be blamed.
5 -- You have lots of time to chat during soprano solos.
6 -- You know you are better than the sopranos because everybody knows that women only sing soprano so they don't have to learn to read music.
7 -- You can sometimes find part time work singing tenor.
8 -- Countertenors get all the great intervals.
9 -- When the sopranos are holding some outrageously high note at the end of an anthem, the countertenors always get the last words.
10 -- When the countertenors miss a note, nobody gets hurt.
What's a
countertenor's
favourite computer operating system?
UNIX.
--
How many countertenors
does it take to change a lightbulb?
One, and four contraltos
to say 'I would have done it better.'
--
How many countertenors
does it take to change a lightbulb?
None. They can't get that
high.
--
How many countertenors
does it take to change a lightbulb?
Two. One to screw it in
and the other to say 'Isn't that a little high for you?'
Ten Commandments for Concert-goers
I Thou shalt hearken unto the music with all thy heart, with all thy soul, and all thy mind, to aid thee in thine endeavor. Study thou thy programme notes and thereby be sore fully prepared to garner the blessings of the inspired melodies which are about to be sounded. II Thou shalt not arrive late, for the stir of thy coming disturbeth those who did come in due season; neither shalt thou rush forth as a great wind at intermission time or before the end of the programme; nor shalt thou trample to thy left nor thy right the ushers or the doormen or the multitudes that are about thee. III Thou shalt keep in check thy coughings and thy sneezings for they are an abomination, and they shall bring forth evil execrations upon thee and upon thy household, even unto the third and fourth generations. IV Thou shalt not rustle thy programme, for the noise thereof is not as the murmur of the leaves of the forest but brash and raucous and soothest not. V Thou shalt not yahoo unto thy relatives, nor unto thy friends, nor unto any member of thy club or of thy household, nor unto any of thy neighbours. VI Thou shalt not whisper, for thy mouthings, howsoever hushed they may be, bring discord to the ear of those who sit about thee. VII Thou shalt not chew with great show of sound or motion. Remember that thou art not as the kine of the meadow who do chew the cud in the pastoral serenity which is vouchsafed them. VIII Thou shalt not direct thy index finger at persons of public note and say unto thy neighbour, "Yonder goeth so and so," but reflect that some day thou shalt perchance be a celebrity, and thou shalt be in great discomfort when thou art pointed at and thou shalt not be pleased one jot or tittle thereby. IX Thou shalt not slumber, for in thy stupor thou hast ears and heareth not; peradventure thou possesseth a rumbling obbligato when thou sleepeth and, verily, the rabble may be aroused thereby to do thee grievous harm. X Thou shalt not become a self-ordained music critic and with booming voice comment garrulously about the players or the playing; neither shalt thou hum, or tap thy foot; for thou hast come as a listener and a lover of music, not as a critic nor as a performer, and remember that none among the multitudes has paid to hear thy hummings or thy tappings or to listen unto thine opinions.
Miscellaneous
nonsense...
Outrageous!
Gratuitous insults to hardworking singers. And conductors.
Tsk tsk.
How do you get a Wagnerian soprano to sing softer? Give her some sheet music. |
How many tenors does it take to change a light bulb? None. They just steal somebody else's light. |
How many singers does it take to change a lightbulb? Six. one to change it, and the other five to fight off the tenor who is hogging. |
How many tenors does it take to change a light bulb? Four. One to change the bulb and three to bitch that they could have done it if they had the high notes. |
How do you tell
if a tenor is dead? The wine
bottle is still full and the comics
haven't been
touched. |
How do you put a sparkle in a tenor's eye? Shine a flashlight in his ear. |
Where is a tenor's resonance? Where his brain should be. |
What's the definition of a male quartet? Three men and a tenor. |
Did you hear about the tenor who announced that in the following season he would only sing three title roles: Othello, Samson, and Forza del Destino? |
If you took all the tenors in the world and laid them end to end, it would be a good idea. |
How do you tell if a bass is actually dead? Hold out a cheque (but don't be fooled: a slight, residual spasmodic clutching action may occur even hours after death has occurred). |
How do you tell if a bass is dead? What's the difference? |
In the last act of Don Giovanni, there is always a statue which is replaced at some point by a real singer, a bass (the Commendatore). How can you tell when the switch has occurred? The statue starts looking a bit stiff. |
How many basses does it take to change a lightbulb? None. They're so macho they prefer to walk in the dark and bang their shins. |
A guy walks into a pet store wanting a parrot. The store clerk shows him two beautiful ones out on the floor. "This one's $5,000 and the other is $10,000." the clerk said. "Wow! What does the $5,000 one do?" "This parrot can sing every aria Mozart ever wrote." "And the other?" said the customer. "This one can sing Wagner's entire Ring cycle. There's another one in the back room for $30,000." "Holy moly! What does that one do?" "Nothing that I can tell, but the other two parrots call him 'Maestro'." |
What's the first thing a composer says at work? "Would you like fries with that?" |
What do you call a composer without a significant other? "Homeless." |
Why
do composers have to be awake by six o'clock? Because
most shops close by six thirty. |
What would a composer do if he won a million dollars? Continue to compose until the money ran out. |
What's the difference between a conductor and a stagecoach driver? The stagecoach driver only has to look at four horses' asses. |
There were two people walking down the street. One was a composer. The other didn't have any money either. |
What's the
difference between a bull and an orchestra? The bull has the horns in
the front and the a**hole in the
back. |
A conductor and a violist are standing in the middle of the road. Which one do you run over first, and why? The conductor. Business before pleasure. |
Why are conductor's hearts so coveted for transplants? They've had so little use. |
What's the difference between a conductor and a sack of fertilizer? The sack. |
What do you have when a group of conductors are up to their necks in wet concrete? Not enough concrete. |
What's the
difference between a pig and a symphony
orchestra conductor? There are
some things a pig just isn't willing to
do. |
What's the
ideal weight for a conductor?
About 2 1/2 lbs. including the urn. |
What's the difference between God and a conductor? God knows He's not a conductor. |
What's the definition of an assistant conductor? A mouse trying to become a rat. |
What's the difference between alto clef and Greek? Some conductors actually read Greek. |
What to do with a horn player that can't play? Give him two sticks, put him in the back, and call him a percussionist. What do you do if he can't do that? Take away one of the sticks, put him up front, and call him Maestro. |
If you
threw a violist and a soprano off a cliff, which one would hit the
ground
first? |
What's the difference between a soprano and a terrorist? You can negotiate with a terrorist. |
What's the difference between a soprano and a pirhana? The lipstick. |
What's the difference between a soprano and a pit bull? The jewellery. |
How
many sopranos does it take to change a light bulb? One. She holds the bulb and the world revolves around her. Two. One to hold the diet cola and the other to get her accompanist to do it. Four. One to change the bulb and three to pull the chair out from under her. |
What's the difference between a Wagnerian soprano and the average All-Pro offensive lineman? Stage makeup. |
What's the difference between a Wagnerian soprano and a Wagnerian Tenor? About 10 pounds |
How is a soubrette different from a sewer rat? Some people actually like sewer rats. |
What's the difference between a soubrette and a cobra? One is deadly poisonous, and the other is a reptile. |
How do you tell if a Wagnerian soprano is dead? The horses seem very relieved. |
What's the first thing a soprano does in the morning? Puts on her clothes and goes home. |
What's the next thing a soprano does in the morning? Looks for her instrument. |
What's the difference between a soprano and a Porsche? Most musicians have never been in a Porsche. |
What's the definition of a mezzo? A soprano who can sight-read. |
A musician arrived at the pearly gates. What did you do when you were alive?" asked St. Peter. "I was the principal trombone player of the London Symphony Orchestra." "Excellent! We have a vacancy in our celestial symphony orchestra for a trombonist. Why don't you turn up at the next rehearsal." So, when the time for the next rehearsal arrived our friend turned up with his heavenly trombone [sic]. As he took his seat, God moved, in a mysterious way, to the podium and tapped his baton to bring the players to attention. Our friend turned to the angelic second trombonist (!) and whispered, "So, what's God like as a conductor?" "Oh, he's OK most of the time, but occasionally he thinks he's von Karajan." |
Mozart was in a bad
mood because once again the string section was off, and the new
symphony was starting to sound abysmal. During the rehearsal break, a
sad-eyed trombonist walked up to him and whispered, "Maestro, a good
friend of mine just died, and he didn't have two kreutzers to rub
together. We're taking up a collection for his funeral expenses,
so could you see your way to donating five gulden to help bury a poor
violinist?" Mozart reached into his pocket and slapped some
money into the musician's hand. "Five gulden to bury a
violinist? Take thirty, be my guest and bury six of them
for me!"
|
The rehearsal was going badly, and Mozart's dog was starting to howl. Someone in the string section made the mistake of laughing. Mozart looked straight in his direction. "Hmmm. Do you know what the difference is between my dog and the string section?" Mozart asked with a straight face. "No," someone foolishly replied. "The dog knows when to stop scratching." |
Twelve
year old Mozart was
looking over the orchestra, listening to the rehearsals. It was
his first
opera, and like many other 'firsts' in his life, he had to deal
with an uncooperative orchestra. After a few minutes of
listening, thinking,
and jotting down margin notes, he asked the theatre director if he
could hire
about 20 or 25 (!!) more violinists. The
director was clearly annoyed,
which was nothing new. "What a demanding young man you
are!" He
scowled. "Why do you need more violins?" "Because
there must be someone in
this town who is
able to play
the right notes at the right time with right expression," Mozart piped
up. |
Steven Spielberg was discussing his new project - an action docudrama about famous composers starring top movie stars. Sylvester Stallone, Steven Seagal, Bruce Willis, and Arnold Schwarzenegger were all present. "Well," started Stallone, "I've always admired Mozart. I would love to play him." "Chopin has always been my favorite, and my image would improve if people saw me playing the piano," said Willis. "I'll play him." "I've always been partial to Strauss and his waltzes," said Seagal. "I'd like to play him." Spielberg was very pleased with these choices. "Sounds splendid." Then, looking at Schwarzenegger, he asked, "Who do you want to be, Arnold?" So Arnold says, "I'll be Bach." |
I worry that the person who thought up Muzak may be thinking up something else ~ Lily Tomlin |
Accent
|
An unusual manner of pronunciation, e.g. 'Y'all sang that real good!' |
Accidentals | Wrong notes |
Ad libitum | A premiere |
Agitato | String player's state of mind when a peg slips in the middle of a piece |
Agnus Dei | Woman composer famous for her church music |
Altered chord | A sonority that has been spayed |
Attaca | 'Fire
at will!' |
Augmented fifth | 36-ounce bottle |
Bar line | Gathering of people, usually among which may be found a musician or two |
Beat | What music students to do each other with their musical instruments. The down beat is performed on the top of the head, while the up beat is struck under the chin |
Bravo | Literally, How bold! or What nerve! Spontaneous expression of appreciation on the part of the concert goer after a particularly trying performance |
Breve | How a sustained note sounds when a violinist runs out of bow |
Cadence | (i)
The short nickname of a rock group whose full name is Cadence
Clearwater Revival (ii) When everybody hopes you're going to stop, but you don't. Final Cadence: when they FORCE you to stop |
Cantus firmus | The part you get when you can only play four notes |
Chord | Usually spelt with an 's' on the end, means a particular type of pants, e.g. 'He wears chords.' |
Chromatic scale | Instrument for weighing that indicates half-pounds |
Clef | (i) If a student
cannot sing, he may have an affliction of the palate, called a clef (ii) Something to jump from if you can't sing and you have to teach |
Coloratura soprano | Singer who has great trouble finding the proper note, but who has a wild time hunting for it |
Compound meter | Place to park your car that requires two dimes |
Duple meter | May take any even number of coins |
Triple meter | Only rich people should park by these |
Meter signature | Autograph of the person who writes you a ticket when you put an odd number of coins in a duple meter |
Conduct | Type of air vents in a prison, especially designed to prevent escape. Could also be installed for effective use in a practice room |
Conductor | Musician who is adept at following many people at the same time |
Crescendo | Reminder to the performer that he has been playing too loudly |
Cut time | When you're going twice as fast as everyone else in the orchestra |
Detache | Indication that the trombones are to play with the slides removed |
Diatonic | What buxom sopranos drink in an effort to become svelte |
Discord | Not to be confused with Datcord |
Dominant | Adjective used to describe the voice of a child who sings off key |
Duration | Can be used to describe how long a music teacher can exercise self-control |
English horn | Neither English nor a horn, not to be confused with the French horn, which is German |
Espressivo | Close the eyes and play with a wide vibrato |
Fermata | Brand of girdle made especially for opera singers |
Flat | What happens to a tonic if it sits too long in the open air. |
Flute | Sophisticated pea shooter with a range of up to 500 yards, blown transversely to confuse the enemy |
Form | (i) The shape of
a composition (ii) The shape of the musician playing the composition (iii) The paper to be filled out in triplicate in order to get enough money from the Arts Council to play the composition |
Glissando | (i) The musical
equivalent of slipping on a banana peel (ii) A technique adopted by string players for difficult runs |
Half step | Pace used by a cellist when carrying his instrument |
Harmonic minor | Good music student |
Harmony | Corn-like food eaten by people with accents (see above for definition of accent) |
Hemiola | Hereditary blood disease caused by chromatics |
Heroic tenor | Singer who gets by on sheer nerve and tight clothing |
Lamentoso | With handkerchiefs |
Major triad | Name of the head of the Music Department |
Minor triad | Name of the wife of the head of the Music Department |
Mean-tone temperament | State of mind when everybody's trying to tune at the same time |
Modulation | 'Nothing is bad in modulation.' |
Music | Er... |
Tempo | Where a headache begins |
Tone cluster | Chordal orgy first discovered by a well-endowed woman pianist leaning forward for a page turn |
Tonic | Medicinal liquid to be consumed with gin before, during, or after a performance. (.) |
Transposition | Moving the relative pitch of a piece of music that is too low for the basses to a point where it is too high for the sopranos |
Trill | Musical equivalent of an epileptic seizure |
Triplet | One of three children, born to one mother very closely in time. If a composer uses a lot of triplets he has probably been taking a fertility drug |
Vibrato | Used by singers to hide the fact that they are on the wrong pitch |
Virtuoso | Musician with very high morals. |
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